THE HATEFUL EIGHT (2015). SUBMIT YOUR SCRIPT. Need Professional Script Coverage? Get your screenplay read by pros! READ ALL THE 2016-2021 TV/STREAMING PILOTS. Learn from the best writers working in Hollywood today. No thanks, I don't want to read free TV scripts. THE HATEFUL EIGHT (2015). SUBMIT YOUR SCRIPT. Need Professional Script Coverage? Get your screenplay read by pros! READ ALL THE 2016-2021 TV/STREAMING PILOTS. Download the 'Hateful Eight' Script PDF and Learn 'Voice'. By Jason Hellerman. The Hateful Eight script reveals an Agatha Christie -like world where Quentin Tarantino pits angry western genre character archteypes at each other's throats amidst the tensions of the recently ended Civil War. This is Tarantino's voice singing at the top of its lungs. 9 Pieces of Screenwriting Advice from 9 Hollywood Screenwriters May 27, 2020; Most Popular American TV Series 1951-2019 – Data Is Beautiful May 21, 2020; Writing a Great Writer Bio for Your Coverfly Profile May 18, 2020.
It takes a lot of love to build a set as intricate as the ill-fated cabin in director Quentin Tarantino‘s “The Hateful Eight.”
TheWrap has an exclusive look at the production design behind Tarantino’s latest effort, a bloody Western starring Samuel L. Jackson, Jennifer Jason Leigh and Kurt Russell.
The director relied on production designer Yohei Taneda, the same artisan who crafted the stunning House of Blue Leaves in “Kill Bill Vol. 1,” where Uma Thurman carves up the Crazy 88 before Lucy Liu‘s eyes.
Also Read:Quentin Tarantino's 'Hateful Eight' Debuts With $3.5 Million But 'Stars Wars' Does $28 Million
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For Minnie’s Haberdashery, the mountain lodge where the characters take refuge from a snow storm, the production’s design team went after an historically accurate look that still had plenty of texture — mainly to keep its inhabitants warm.
“Having lots of soft things around the set as options to wrap yourself has become a bit of a leitmotif as time has gone on, and Quentin’s definitely used that,” said set decorator Rosemary Brandenburg.
“It’s been interesting to see the evolution of the use off the set,” she added. “It’s an organic process … even though a set is established, it’s still a living thing.”
Also Read:Global Warming Sparks Hollywood Production Meltdown
The clip also features commentary from actors Leigh, Russell, Walton Goggins and producer Shannon McIntosh. Watch the making of the haberdashery here.
Every Quentin Tarantino Movie Ranked From 'Reservoir Dogs' to 'Hateful Eight' (Photos)
Quentin Tarantino Scripts
- 8. 'Death Proof'(2007)Despite some truly audacious stunt work by Zoe Bell on the hood of a careening Dodge Challenger, Tarantino's homage to grindhouse fails to transcend that leering genre. If anything, 'Death Proof' unintentionally makes the case for exploitation flicks' niche appeal with its cardboard characters and lurid set pieces.
- 7. 'Reservoir Dogs' (1992)Tarantino's directorial debut inaugurates the self-assured vision of a filmmaker who knows exactly what kind of movies he wants to make. Vicious and nihilistic, the crime thriller is also largely an exercise in style despite fantastic performances by Harvey Keitel, Tim Roth, Steve Buscemi, and Michael Madsen.
- 6. 'Kill Bill, Vols. 1 & 2' (2003-04)Tarantino's movies are never short of watchable, but this two-part, four-hour pastiche epic is the director at his second most fanboyish (after 'Death Proof'). Tarantino himself has said of the Uma Thurman vehicle that it's 'not about real life, it's just about other movies' -- and it shows. As a primer on Tarantino's favorite movies, it's enjoyable enough. As a standalone film, it fails to register beyond the over-the-top fight scenes.
- 5. 'The Hateful Eight' (2015)Thinly drawn characters and a three-hour-plus running time make this Western an inessential and interminable chamber drama. After the peaks of 'Inglourious Basterds' and 'Django Unchained,' it's disappointing to see Tarantino return to pointlessly bloody form, especially given the film's promisingly fertile post-Civil War setting.
- 4. 'Pulp Fiction'(1994)Arguably the most important movie of the '90s, this smirking Palme d'Or winner now feels slightly rambling and repetitive. Still, its instantly recognizable lines, characters, and scenes must be acknowledged, and Samuel L. Jackson's alert but world-weary hitman gives this tale of L.A. lowlifes an emotional weightiness Tarantino's lesser efforts don't quite achieve.
- 3. 'Inglourious Basterds' (2009)This alternate-history cartoon is Tarantino at his most entertaining, featuring a continent full of snappily sketched characters and star-making (or -remaking) turns by Brad Pitt, Christoph Waltz, Michael Fassbender, Diane Kruger, and Melanie Laurent. But whacking Nazis with bats and setting them on fire don't add up to much more than a hollow revenge fantasy, however funnily or majestically rendered.
- 2. 'Jackie Brown'(1997)Tarantino's only attempt at a real love story (sorry, 'Django' doesn't count), 'Jackie Brown' is in many ways the director's most human film. The soundtrack is flawless, Pam Grier's in top form, and the tangled busyness of the criminal escapades just make Jackie and her would-be bail-bondsman suitor's (Robert Forster) middle-aged melancholy that much more moving.
- 1. 'Django Unchained' (2012)The rare Tarantino movie to actually be 'about' something, 'Django Unchained' explores the still-taboo topic of black anger at white Southerners for slavery with wit, ferocity, and cinematic flair. Jamie Foxx and Leonardo DiCaprio deliver career-best performances in this delirious rhapsody, and for once the director's signature hyper-violence has a point beyond its own sake. If only Tarantino would allow himself to be so ambitious with every project.
TheWrap movie critic Inkoo Kang reassesses the director’s 23-year career, from “Reservoir Dogs” to “The Hateful Eight”
Quentin Tarantino had planned to shoot his next movie, a tense, contained and very bloody Western centered on bounty hunters and titled “The Hateful Eight,” using 70-millimeter stock, a rare and expensive high-definition film, according to a copy of the script obtained by TheWrap.
The movie opens on a sprawling Wyoming vista, and Tarantino sets the scene: “A breathtaking 70MM filmed (as is the whole movie) snow covered mountain range.” But the story quickly shifts indoors, and stays there — in fact, the script reads more like a tense stage play than a sweeping Western film.
Tarantino has angrily scrapped plans to make the movie because the script leaked, and Hollywood assistants are now promulgating a link anyone can use to download a PDF of the script that will no doubt end up online in the coming days. Tarantino accused agents for one of the three actors he had met with for parts — Bruce Dern, Tim Roth and Michael Madsen — though he seemed to suspect it was Dern’s team at CAA.
CAA denied it was the culprit, and the WME-repped Tarantino said he would still happily work with Dern. Interesting side-note: Tarantino said he was scrapping the project, for now, after Harvey Weinstein said he would be more mindful of the violence in his films.
The script is an ensemble Western with obvious parts for Madsen and Dern, as well as Tarantino stalwarts like Samuel L. Jackson and Christoph Waltz. Jackson and Madsen would likely both play bounty hunters returning human plunder to a town called Red Rock in exchange for hefty rewards. Their characters, a former major in the Union army and a man named John Ruth, dominate the first two of the script’s five chapters.
Also read: Quentin Tarantino Scraps ‘Hateful Eight’ Over Script Leak: ‘I Gave It to Six Motherf—ing People’
They run into a Southerner named Chris Mannix on the road, and three of them, along with their driver — a living prisoner and three dead bounties strapped to the roof — arrive at a haberdashery to take shelter from an oncoming blizzard. Yet the proprietors, Minnie, Sweet Dave and her other colleagues, are nowhere to be found. In their place are four men, a Southern general (likely Dern), an alleged hangman, a Frenchman named Bob and a cowboy named Joe Gage.
Mistrust, coffee and violence ensue.
We won’t say where it goes from there, but Tarantino makes frequent references to it being shot in 70-milimeter, a format recently used by Paul Thomas Anderson in “The Master.” The choice makes a great deal of sense for a sprawling Western, a genre Tarantino was going to revisit after the success of his most recent film (and his first western), “Django Unchained.”
Yet this one is set almost entirely in two settings – a stagecoach and the haberdashery. That is a much smaller canvas than Taratino usually works on, but the bloody, sharply written, typo-filled script is vintage Quentin. There’s a little Russian roulette, some vomit and frequent duplicity.
Quentin Tarantino Movie Scripts Pdf
The five chapters are “Last Stage to Red Rock,” “Son of A Gun,” “Minnie’s,” ‘The Four Pasggengers” and “Black night, White Hell.” Here’s an image of the one section Tarantino crossed out, so as not to ruin anything. Oswaldo is the hangman and Domergue a prisoner.